Official Website: http://www.moma.org
January 28–May 9, 2011
The Robert and Joyce Menschel Photography Gallery, third floor
Performance art is generally experienced live, but what documents it and ensures its enduring life is, above all, photography. Yet photography plays a constitutive role, not merely a documentary one, when performance is staged expressly for the camera (often in the absence of an audience), and the images that result are recordings of an event but also autonomous works of art. The pictures in this exhibition, selected from the collection of The Museum of Modern Art, exemplify the complex and varied uses artists have devised for photography in the field of performance since the 1960s.
Many artists have experimented with the camera to test the physical and psychological limits of the body. Not all performances exert such dire demands on the body, although many have entailed a sustained emotional engagement on the part of the artists: Bas Jan Ader photographed himself crying for the camera, and Adrian Piper used photography to chronicle a physical and mental state induced by fasting and writing in isolation.
Food for the Spirit. 1971.
Gelatin silver prints, printed 1997, 14 1/2 x 14 3/4″ (36.8 x 37.5 cm) each.
Guggenheim Museum, New York
Part I: March 26–September 6, 2010
Part II: June 4–September 1, 2010
Much of contemporary photography and video seems haunted by the past, by the history of art, by apparitions that are reanimated in reproductive mediums, live performance, and the virtual world. By using dated, passé, or quasi-extinct stylistic devices, subject matter, and technologies, such art embodies a longing for an otherwise unrecuperable past.
Autel de Lycee Chases, 1986-87
From March 26 to September 6, 2010, the Solomon R. Guggenheim Museum presents Haunted: Contemporary Photography/Video/Performance, an exhibition that documents this obsession, examining myriad ways photographic imagery is incorporated into recent practice. Drawn largely from the Guggenheim’s extensive photography and video collections, Haunted features some 100 works by nearly 60 artists, including many recent acquisitions that will be on view at the museum for the first time. The exhibition is installed throughout the rotunda and its spiraling ramps, with two additional galleries on view from June 4 to September 1, featuring works by two pairs of artists to complete Haunted’s presentation.
DE LA CRUZ COLLECTION CONTEMPORARY ART SPACE
Screeening of: Ana Mendieta- Fuego de Tierra
A film by Kate Horsfield, Nereyda Garcia-Ferraz, and Branda Miller
1987, 52 minutes, Color/BW, VHS
April 15th, 2010 @ 7:30pm
This beautiful video is a portrait of the life and work of Cuban-born American artist Ana Mendieta. Mendieta used her own body, the raw materials of nature, and Afro-Cuban religion to express her feminist political consciousness and poetic vision. Interview footage with Mendieta and her own filmed records of her earthworks and performances are incorporated to render a vivid testament to her energy and extraordinary talent after her tragic, untimely death in 1985. Spanish language version available.
For the first time in the world, a museum will be displaying the feminine side of its own collections. This new presentation of the Centre Pompidou’s collections will be entirely given over to the women artists from the 20th century to the present day.
elles@centrepompidou is the third thematic exhibition of the National Modern Art Museum’s collections, following Big Bang in 2005 and the Mouvement des Images (Image Movements) in 2006-2007.