Girl with Puppy Dog Eyes

After Photoshop: Manipulated Photography in the Digital Age

Over the past twenty years, photography has undergone a dramatic transformation. Mechanical cameras and silver-based film have been replaced by electronic image sensors and microchips…

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Carrie Mae Weems Afro Chic

Carrie Mae Weems: Three Decades of Photography and Video

Carrie Mae Weems is a socially motivated artist whose works invite contemplation on issues surrounding race, gender and class. Increasingly, she has broadened her view to include global struggles for equality and justice.

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Yinka Shonibare: Addio del Passato

British-born Nigerian artist Yinka Shonibare, explores the concept of destiny as it relates to themes of desire, yearning, love, power and sexual repression. In this exhibition Shonibare continues his explorations of Lord Nelson, the figurehead of the British Empire at its apotheosis.

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Nancy Burson: Race, Beauty, & Power

Nancy Burson produced some of the earliest computer-generated portraits, and in collaboration with MIT engineers Richard Carling and David Kramlich, became a pioneer in the now familiar territory of computer-manipulated imagery. Burson continued to collaborate with Kramlich, who later became her husband. Together the two developed a significant computer program which gives the user the ability to age the human face and subsequently has assisted the FBI in locating missing persons. In Evolution II she combined the face of a man with that of a monkey to produce an imaginary portrait of a species (as well as a technology) in transition. This image was published in a series of manipulated portraits, reproduced in the book Composites (1986).

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Carrie Mae Weems: Slow Fade to Black

April 22 – May 22, 2010
Jack Shainman Gallery
513 West 20th Street
New York, NY 10011

Opening reception for the artist, Thursday, April 22, 6 – 8 pm

Jack Shainman Gallery is pleased to announce the opening of Slow Fade to Black, Carrie Mae Weems’s second solo exhibition at the gallery.

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Tania Bruguera: On the Political Imaginary

On the Political Imaginary
January 28-April 11, 2010 at the Neuberger Museum of Art

Powerful Performance and Installation Art That Explores Issues of Exile, Displacement, and Instability

Tania Bruguera: On the Political Imaginary. This is the first survey of her interdisciplinary work focusing on the relationship among art, politics, and life. Featured are her powerful, innovative installation and performance works created for various international venues over the past twenty years. (The museum has recreated those venues in a striking installation in two of its largest galleries.) In this show, the artist explores such urgent issues as exile, displacement, and instability — and individual and collective responses to them, from submission, fear, and endurance, to the hope for survival and possibility of self-expression. Multiple daily performances are included throughout the run of the exhibition.

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